A Q&A with Christopher Nolan about his new film Dunkirk - Christopher Nolan “Dunkirk,” Christopher Nolan’s nail-biting World War II epic thriller about the heroic evacuation of 300,000 plus British soldiers from...
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Stone has just closed a deal with Fox to direct the follow-up to "Wall Street," now tentatively called "Wall Street 2," with Douglas starring. This would provide an unusual amount of continuity since Stone directed and co-wrote, with Stanley Weiser, the original 1987 exploration of the inner workings of the finance sector and its complicated relationship with greed.
The plot line for the new "Wall Street" iteration has not been divulged, but it will pick up with corporate raider Gordon Gekko, the character for which Douglas won a best actor Oscar more than 20 years ago. Gekko's larger-than-life presence will once again loom over a younger upstart looking to navigate the shark-tank world of today's Wall Street.
Shia LaBeouf is in talks with the studio to take on the younger role. Stone and Co. hope to begin production over the summer.
Morales argues that "...Tarantino manages to do precisely what Alex de Large was trying to do in Stanley Kubrick's A Clockwork Orange: he presents violence as a form of expressive art...[in which the]...violence is so physically graceful, visually dazzling and meticulously executed that our instinctual, emotional responses undermine any rational objections we may have. Tarantino is able to transform an object of moral outrage into one of aesthetic beauty...[, in which,]...like all art forms, the violence serves a communicative purpose apart from its aesthetic value." When the female sword-wielding protagonist "...skillfully slices and dices her way through...[the opposing fighters]...we get a sense that she is using them as a kind of canvas for her expression of revenge...[,]...like an artist who expresses herself through brush and paint,...[she]...expresses herself through sword and blood."